"100," a slinking guitar groove produced by and featuring the Atlanta trap trio Watch the Duck, includes Azalea running down her shopping list: "No Michael Kors, just Tom Ford." She invites haters to "walk a mile in these Louboutins" on "Work," a trap anthem that describes Azalea's hardscrabble background: "Sixteen in the middle of Miami, no money, no family." Clearly she's come a long way. Helmed by a who's-who of in-demand producers (The Invisible Men, The Messengers, Stargate), The New Classic is impossibly sleek, its beats revved up and zooming like a Ferrari down Rodeo Drive. ![]() Having finally arrived, it posits Azalea as pop-hop's latest superstar: a nimble, catty rapper who sounds perfectly at home amid a panoply of club-destined bangers. Although her debut, The New Classic, was a Top Three hit in North America and Australia, a follow. It's a good thing the rapper/singer/model has such resolve her debut album faced long delays as she navigated the major-label maze. Australian rapper Iggy Azalea segued from a high-profile modeling career to become a rap star in the mid-2010s, breaking into the Hot 100 with a trio of hits - 'Fancy,' 'Problem,' and 'Black Widow' - that dominated airwaves in 2014. "Ain't no going back now," sings Australian triple threat Iggy Azalea on the majestic opening track of the emphatically titled The New Classic.
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